|
Home Up
Last updated; 27th May 2010
The Jersey Festival Choir continues to be very appreciative of
the support of AIB Jersey

| |
Spring Concert
2010
Spring Concert;
Missa in Angustiis
("Mass for troubled times") or "Nelson Mass" by Joseph Haydn
'A Great and Glorious Victory' by Jonathan Willcocks
with the Jersey Chamber Orchestra and guest conductor David
Lawrence

Orchestra and choir ©JEP
Orchestra under the baton of David Lawrence ©JEP
Choir-altos and basses ©JEP
Choir- central section ©JEP
Neil Jenkins (Tenor) sang in the Willcocks and the Haydn ©JEP
Concert Poster
On Saturday evening, May 15th 2010, the Jersey
Festival Choir presented their annual spring concert at St. Helier Methodist
Centre. Julie Park of the Jersey
Evening Post was impressed by the combined musical talents on show and wrote
about it as follows;
"FROM historical heritage sites and Opera House majesty,
this weekend the Jersey Chamber Orchestra joined the Jersey Festival Choir and
The Holm-chase Choir in the intimate surroundings of the St Helier Methodist
Centre. It will always be Wesley Grove to me.
The centre had a wonderful refurbishment a few years ago and is now a glorious
place to experience musical events (demonstrating what St James could be if the
States stopped pontificating and finished it). However, fitting in nearly a
hundred performers and over two hundred audience members was a feat of military
deployment.
With the choirs taking up the balcony above the pulpit area, the orchestra on
floor level and the audience in the horseshoe of both, `intimate' isn't an
understatement. Rather than being uncomfortable, though, it provided a rare
opportunity for mere audience members to examine how each section works to
create an orchestral and choral whole.
The disadvantages were mainly for the orchestra - not so much that the audience
could offer to return the transit of the front cello players' bows, but that the
conductor could join the audience in also examining what every section was up to
at any particular moment.
The conductor for this extravaganza was David Lawrence, resplendent in green
cummerbund and braces and enthusiastic from the first whisper to the final
finale. An experienced shepherd of larger choirs, he galvanised, cajoled and
encouraged the richest of sounds from the singers and even managed to spotlight
the choir leaders for bows, despite their attempts to shrink into the paintwork
fifteen feet above him.
Trafalgar
A gentle introduction with Elgar's Serenade For Strings In F Minor led into
Willcocks' A Great And Glorious Victory, telling the story of the great storm
that followed the Battle of Trafalgar, forcing recent enemies to work together
to save the lives of all the sailors in peril.
Visiting soloist Neil Jenkins took its unusual stage directions in his stride -
his stride including beside the brass section, in the pulpit and possibly
heading for the pub before he was brought back to receive his applause.
The overall sound was tremendous, ranging from tolling tubular bells to soaring
descants, with phrases sweeping across both orchestra and choir with the rising
tides. My only suggestion would be for either living composer or concert
arranger to include more narration to embroider this little-known event in the
Trafalgar legend above its Latin Mass.
Other visitors included soprano Iona Jones, contralto Gaynor Keeble and baritone
Andrew Rupp who joined the Haydn Mass In D Minor. Another advantage to the venue
was the clarity of each single voice, even when very outnumbered. The sound also
resonates wherever the audience is positioned in the centre - and would make it
an ideal venue to try local choir members on a solo line or two.
Good music, good singing and the chance for those who'd come along to support
friends and family to discover that classical can still be welcoming, inclusive
and enjoyable - especially when such professional amateurs are performing." ©JEP
A collection towards the work of Channel
Islands Air Search was taken and raised £637.71 which will go a long way towards
the £75,000 they need to raise each year to keep the Lions' Pride as the
"lifeboat's eyes in the sky"
|